20 Paintings in 2020

JesseFest 2020 announcement and invitation

Ray Pague’s 20 Paintings in 2020 Art Exhibition was first shown at JesseFest in the “Forest Gallery” near Selma, Oregon.

Works that have been sold are marked as such. To inquire about available paintings, please contact the artist.

Charcoal Study of 'Earthknower,' Maynard Dixon’s 1931 pencil rendering, by Ray Pague

Charcoal Study of “Earthknower”

After Maynard Dixon

30″ x 21″
Charcoal on hardboard panel
Framed/with glass

Charcoal Composition inspired by Edward C. Curtis’ 1931 photographs of Native Americans, by Ray Pague

Generations

Charcoal Composition inspired by Edward C. Curtis’ 1931 photographs of Native Americans

30″ x 21″
Charcoal on hardboard panel
Framed/with glass

The Bathers, Inspired by Maynard Dixon’s 1915 'Navaho Women, Canyon de Chelly.' by Ray Pague

The Bathers

30″ x 21″
Ink Stick and Acrylic on hardboard panel
Framed

Along the Virgin River/ Zion National Park, original acrylic on panel by Ray Pague

Along the Virgin River/Zion National Park (Plein air)

26 1/4″ x 20 1/4″
Acrylic on hardboard panel
Framed

Riders, charcoal and ink stick by Ray Pague

Riders

Inspired by Edgar Payne’s 1920’s desert landscapes.

30″ x 21″
Charcoal, ink stick on hardboard panel
Framed

Purple Sky, Inspired by Maynard Dixon’s 1921 'Medicine Woman' by Ray Pague

Purple Sky

30″ x 21″
Acrylic, ink stick on hardboard
Framed

Along the Colorado River near Moab, Utah, original painting by Ray Pague

Along the Colorado River near Moab, Utah (Plein air)

27 3/4″ x 35 1/4″
Gouache, ink stick, acrylic, and oil on hardboard panel
Framed

Power Mountain, original painting by Ray Pague

Power Mountain (Plein air)

View from Maynard Dixon’s Thunderbird Ranch, Mt. Carmel, Utah.
27 ¾” x 33 ¼”
Gouache, oil, acrylic, and ink stick on hardboard panel
Framed

Communication: Arches National Park, Moab, Utah (Plein air), original painting by Ray Pague

“Communication,” Arches National Park, Utah (Plein air)

33 ½” x 27 ½”
Charcoal, ink stick, and acrylic on canvas panel
Framed

Taking a Break - After Payne (1929), by Ray Pague

Taking A Break

A study of Edgar Payne’s 1929 “Three Navaho Riders on Horseback.”
33 ¾” x 26 ¾”
Acrylic on hardboard panel
Framed

 

Tenderness - After Young (1919), by Ray Pague

Tenderness

A study of Mahonri Young’s 1919 painting of a Navaho shepherdess.
27″ x 23 ½”
Acrylic on hardboard panel
Framed

Geronimo Gomez Star Road, painting by Ray Pague

Geronimo Gomez Star Road

A study of Oscar Berninghaus’ 1926 “Indian Farmer of Taos.”
30″ x 25 ¾”
Charcoal, acrylic, and ink stick on hardboard panel
Framed

Timeless Guardian - After Dixon (1922), by Ray Pague

Timeless Guardian

A study of Maynard Dixon’s 1922 “Desert Shepherdess.”
30″ x 21″
Charcoal, ink stick, and acrylic on hardboard panel
Framed

Three Hopi Women - After Colton (1916), by Ray Pague

Three Hopi Women

A study of a 1916 watercolor by Mary-Russell Ferrell Colton, “Three Hopi Maidens.”
30″ x 21″
Oil on hardboard panel
Framed
SOLD

Kokopelli by Ray Pague

Kokopelli

18″ x 14″
Walnut ink on paper
Framed/ with glass
SOLD

Communication (Study), by Ray Pague

Study for “Communication”

20″x 14″
Gouache and ink stick on paper
Framed/ with glass

Lone Warrior by Ray Pague

Lone Warrior

Inspired by a 1915 Maynard Dixon photo.
14″ x 20″
Walnut ink on paper
Framed/with glass
SOLD

The Grandmothers, by Ray Pague

The Grandmothers

Inspired by Grandmothers Who Counsel The World and the life of Agnes Baker Pilgrim, our beloved “Grandma Aggie.”
17 ¾” x 14″
Walnut ink on paper
Framed/ with glass

Hilltop Council by Ray Pague

Hilltop Council

14″ x 22″
Oil on canvas panel
Framed
SOLD

Wild Horses, by Ray Pague

Wild Horses

A study of Maynard Dixon’s 1927 “Wild Horses of Nevada.”
23 ½” x 50 ½”
Acrylic on hardboard panel
Framed